АКТУАЛЬНІ ПРОБЛЕМИ РОЗВИТКУ УКРАЇНСЬКОГО ТА ЗАРУБІЖНОГО МИСТЕЦТВ: КУЛЬТУРОЛОГІЧНИЙ, МИСТЕЦТВОЗНАВЧИЙ, ПЕДАГОГІЧНИЙ АСПЕКТИ
Synopsis
Актуальні проблеми розвитку українського та зарубіжного мистецтв: культурологічний, мистецтвознавчий, педагогічний аспекти : матеріали VІII Міжнародної науково-практичої конференції (с. Світязь Шацького району Волинської області, 16–18 червня 2023 року) ; Волинський національний університет імені Лесі Українки. Львів – Торунь : Liha-Pres, 2023. 464 с.
Chapters
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SOCIOCULTURAL ANALYSIS OF THE PROBLEMS OF THEODICY IN THE VIEWS OF J. BOEHME
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SOLOMIYA KRUSHELNYTSKA: STROKES TO A PORTRAIT
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WORKS OF ILIA RIEPIN IN MUSEUM COLLECTIONS OF KHARKIV REGION
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CULTURAL ASPECTS OF THE STUDY OF DIGITALIZATION OF CULTURAL HERITAGE IN THE CONDITIONS OF WAR
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ARCHIVES – CENTERS FOR PRESERVING HISTORICAL AND CULTURAL MEMORY (FROM THE EXPERIENCE OF STUDENTS IN THE FIELDS OF 023 “FINE ARTS, DECORATIVE ARTS, RESTORATION”)
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INTELLECTUAL HERITAGE OF YURIY BADZYO AND PROBLEMS OF NATIONAL CULTURAL POLICY
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HUMANISTIC SPACE OF MODERN EDUCATION
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FORMATION OF THE METHODOLOGY OF RESEARCH OF FOLKLORE AND ETHNOGRAPHIC MATERIAL IN PROGRAM DOCUMENTS OF THE BEGINNING OF THE 20TH CENTURY
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ETHNOPSYCHOLOGICAL EDUCATION AS A WAY OF PRESERVING OF THE NATIONAL SPIRITUAL HERITAGE
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FOLKLORE CULTURAL TRADITIONS IN THE UKRAINIAN NATIONAL THEATER
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CULTURAL DETERMINANTS IN THE ROMAN LEGAL PERSONALITY (EXAMPLES OF THE CONCEPTS “URBS”, “RES PUBLICA”, “POLIS”)
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CULTURAL HERITAGE AND ITS PRESERVATION IN THE CONDITIONS OF WAR: ARCHITECTURAL CONSTRUCTIVISM IN UKRAINE
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BANDURA ART OF THE UKRAINIAN PEOPLE IN THE HISTORIC AND PEDAGOGICAL CONTEXT (ON THE EXAMPLE OF ULAS SAMCHUK’S WORK “LIVE STRINGS. BANDURA AND BANDURА PLAYERS”)
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MODERN UKRAINIAN-POLISH ARTISTIC COOPERATION
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THE INTERNATIONAL COMMUNITY’S ASSISTANCE IN PRESERVING UKRAINE’S HISTORICAL AND CULTURAL HERITAGE
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POLISH-UKRAINIAN DIALOGUE IN VISUAL ARTS DISCOURSE (2022): WAR PORTRAITS AND REFLECTIONS
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THE UKRAINIANNESS OF THE UKRAINIAN AVANT-GARDE. WE RETURN OURS
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THE THEME OF THE VIRGIN CANTOS IN THE CHORAL WORK OF YAKIV YATSYNEVYCH
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EUROPEAN CULTURAL POLICY OF SOCIOCULTURAL SPACE MANAGEMENT IN THE CONTEXT OF CULTURAL HERITAGE PRESERVATION
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TRANSFORMATION OF INTANGIBLE CULTURAL HERITAGE OF WEDDING RITUALS IN CINEMA: FROM THE SEMANTIC CONTEXT OF “SHADOWS OF FORGOTTEN ANCESTORS” TO THE SUBSTANCE OF FORM IN “CRAZY WEDDING”
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CROSS-CULTURAL ASPECTS IN RECONSTRUCTION: A DESIGN NARRATIVE
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PECULIARITIES OF NON-VERBAL COMMUNICATION IN INTERCULTURAL DIALOGUE
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VERBALIZATION OF CULTURAL SYMBOLS AS A MEANS OF NATIONAL SELF-IDENTIFICATION IN THE INTERCULTURAL DIALOGUE
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TRADITIONALIST DISCOURSE OF UKRAINE AND THE MODERN WORLD
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WORLDVIEW CULTURE AND CREATIVE SELF-REALISATION AS THE BASIS OF CULTURAL FORMATION OF THE PERSONALITY
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UKRAINIAN CULTURE OF THE 20TH CENTURY AS AN ECOSYSTEM OF MODERN CULTURE
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GASTRONOMIC TRADITION IN THE DIMENSIONS OF HISTORICAL MEMORY
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PECULIARITIES OF THE FORMATION OF INSTRUMENTAL COLLECTIVES IN VOLYN AT THE END OF THE 20TH AND THE BEGINNING OF THE 21ST CENTURY
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THE DEPTH OF MEMORY OF FOLK ART
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MURAL ART AS A PART OF THE INTERCULTURAL DIALOGUE OF THE CREATIVE INDUSTRIES: A REGIONAL APPROACH
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THE ART OF MEMORY AS THE BASIS OF THE NATIONAL AND CULTURAL IDENTITY OF UKRAINIANS
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VENICE BIENNALE ARCHITETTURA – 2023: PROBLEMATICS OF THE UKRAINIAN РAVILION
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THE IMAGE OF THE KOZAK MAMAI IN THE PLOT DEPICTIONS OF THE ANCIENT AND MODERN UKRAINIAN FOLK CITY
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FORMATION OF GRAPHIC ART IMAGE IN DRAWING LESSONS DURING SUMMER OUTDOOR PRACTICE
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THE USE OF THE MARIA PRIMACHENKO’S STYLES IN THE CREATIVITY OF CONTEMPORARY ARTISTS
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UKRAINIAN SYMBOLS IN CARVINGS
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USE OF ETHNIC SYMBOLS IN STUDENT ART PROJECTS
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KREMENETS AS A CENTER OF OF POLISH AVANT-GARDE ART IN THE 1930S 20TH CENTURY
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NATIONAL ETHNIC MOTIVES IN THE CREATIVITY OF GRAPHIC ARTISTS OF XX CENTURY – BEGINNING OF THE XXI CENTURIES
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THE EVOLUTION OF THE ETHNIC DIRECTION IN THE INTERIOR AND THE FORMATION OF ITS ELEMENTS
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STREET ART DURING THE WAR IN UKRAINE
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THE LINGERING ECHO OF SOVIET ART IN TODAY’S SOCIO-CRITICAL ART
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SACRED ART OF THE TERNOPIL REGION OF THE 21ST CENTURY
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THE SOCIAL AND TRANSFORMATIVE POTENTIAL OF CRITICAL ART AND ITS IMPLEMENTATION IN THE PRESENT
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BASICS OF SYNTHESIS OF ART OF UKRAINE IN 2022–2023
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THE INFLUENCE OF YOUTH SUBCULTURES ON MODERN ART (ON THE EXAMPLE OF PUNK SUBCULTURE)
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JAZZ IN THE ERA OF SOCIAL NETWORKS
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THE PHENOMENON OF MUSIC IN THE CONTEXT OF MODERN CULTURAL STUDIES AND PHILOSOPHICAL THOUGHT
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THE IMPACT OF SOCIAL MEDIA ON THE PERCEPTION AND UNDERSTANDING OF MUSIC ART AMONG YOUNG SCHOOLCHILDREN
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CYBER ART IN DIGITAL CULTURE
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INFLUENCE OF SOCIAL NETWORKS ON ART
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GORKA HERMOSA IS A REPRESENTATIVE OF THE ACCORDION SCHOOL IN SPAIN
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THE INFLUENCE OF SOCIAL NETWORKS ON THE ACTIVITIES OF CONTEMPORARY INDIE BANDS
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PHOTOGRAPHY AND SOCIAL MEDIA: VECTORS OF INTERACTION IN MODERN CULTURE
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EXPANDING THE ACCESSIBILITY OF ART AND INCREASING THE AUDIENCE OF ARTISTS THROUGH SOCIAL MEDIA
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THE COMBINATION OF SOCIO-CULTURAL CAPITAL IN A SINGLE PARADIGM OF NATIONALITY
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MODERN TRENDS IN THE DEVELOPMENT OF MUSICAL THEATER (BASED ON THE WORKS OF ODESSA AUTHORS AT THE TURN OF THE XX – XXI CENTURY)
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TEACHING ART AT THE LESSONS OF SPANISH AND PORTUGUESE WITH HELP OF ELECTRONIC RESOURCES
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DIGITIZATION OF 3D-OBJECTS OF CULTURAL HERITAGE: KEY POINTS
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THE PECULIARITIES OF DIGITIZATION OF ART COLLECTIONS IN THE CONTEXT OF MODERN MEDIA CULTURE
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FORMATION OF DIGITAL COMPETENCE OF HIGH SCHOOL STUDENTS USING ART IN COMPUTER SCIENCE CLASSES
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DIGITAL TECHNOLOGIES AS A MEANS OF UNIFYING THE ARTISTIC COMMUNITY IN THE FIELD OF MUSICAL ART ON THE EXAMPLE OF ACTIVITY DEPARTMENT OF MUSIC-THEORETICAL DISCIPLINES AND INSTRUMENTAL TRAINING OF DROHOBYCH IVAN FRANKO STATE PEDAGOGICAL UNIVERSITY
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DIGITIZATION IN THE CONTEXT OF MODERN UKRAINIAN ART
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RECORDING WORKS OF UKRAINIAN DIASPORA ARTISTS: HISTORY AND MODERNITY
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INCLUSIVE DIRECTION IN THE FORMATION OF AN INTERACTIVE EXPOSITION OF THE MODERN MUSEUM AS A PRESENTER OF CULTURAL AND EDUCATIONAL ACTIVITIES
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DIGITIZATION AS A SOCIO-CULTURAL PROCESS
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SECURITY CHARACTERISTICS OF THE ORTHODOX FIELD OF UKRAINE IN THE CONTEXT OF RUSSIAN MILITARY AGGRESSION
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PERSPECTIVES ON DIGITAL HUMANITIES
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THE MAIN INNOVATIVE NEEDS OF EDUCATION DESIGN IN UKRAINE
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ARTIFICIAL INTELLIGENCE IN THE DESIGN OF THE 20S OF THE 21ST CENTURY
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ETHNO-NATIONAL SPECIFICS OF TIMBRE PROPERTIES OF THE FLUTE IN THE CONTEXT OF GENDER SEMANTICS
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CONCEPTUAL DESIGN: THE INITIAL STAGE OF PRODUCT DESIGN
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CAN ARTIFICIAL INTELLIGENCE CLAIM TO BE THE AUTHOR OF A WORK OF ART?
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ARTIFICIAL INTELLIGENCE AND ITS IMPACT ON THE LABOR MARKET
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THE IMPACT OF DIGITAL TECHNOLOGIES ON CONTEMPORARY ARCHITECTURE: NEW APPROACHES AND OPPORTUNITIES
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CREATIVITY OF TETIANA EFTYMOVSKA IN THE CONTEXT OF THE DEVELOPMENT OF GRAPHIC DESIGN IN IVANO-FRANKIVSK
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ARTISTIC EXPRESSION OF MODERN DIGITAL ART
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PROMOTION OF CREATIVITY: CURRENT TOOLS OF COMMUNICATION IN THE FIELD OF VISUAL ARTS (THE CASE OF PROJECTS IMPLEMENTED WITH THE SUPPORT OF THE UKRAINIAN CULTURAL FOUNDATION 2019–2020)
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INNOVATIVE TECHNOLOGIES IN CHILDREN’S BOOK DESIGN
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EVOLUTION OF THE IMAGE OF THE DEVIL IN ART: A COMPARATIVE ANALYSIS
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FEATURES OF THE OPTICAL ILLUSION IN EL SEED ART PROJECT “PERCEPTION”
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ART THERAPY AS A COMPONENT OF SOCIOCULTURAL ACTIVITY
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THE ESSENCE OF USER INTERFACE (UI) DESIGN
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VISUAL IDENTITY DESIGN OF SOCIAL MEDIA: A CASE STUDY OF THE “ZNAI SVOIE MISTO” BRAND
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STUDY OF THE ROLE OF NEURAL NETWORKS IN THE PROCESS OF CREATING GRAPHIC IMAGES
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INNOVATIVE ASPECTS IN DESIGN EDUCATION
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UKRAINE’S PARTICIPATION IN THE IMPLEMENTATION OF THE SUBPROGRAM “CULTURE” OF THE EU PROGRAM “CREATIVE EUROPE”
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INNOVATIONS IN MODERN GRAPHIC DESIGN
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COLOR AS A DOMINANT DESIGN TOOL FOR GAME MECHANICS
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HANDMADE FONTS IN GRAPHIC DESIGN AS A CURRENT TREND
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THE CATEGORY OF THE UNIVERSE IN THE WORKS OF UKRAINIAN ARTISTS
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THE IMPACT OF ARTIFICIAL INTELLIGENCE ON INNOVATION IN DESIGN AND ART
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DIGITAL PHOTOGRAPHY IN DESIGN VISUAL COMMUNICATIONS: EDUCATIONAL CONTEXT
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THE PHENOMENON OF SYNESTHESIA IN THE DYNAMIC VISUAL COMMUNICATION DESIGN
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ANDRIY BOKOTEY’S INNOVATIVE AUTHOR’S METHOD OF CREATING LARGE-FORMAT GLASS ARTWORKS (ON THE EXAMPLE OF THE COMPOSITION “THE LAST SUPPER”)
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FEATURES OF THE MODERN LANDSCAPE
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INTERACTION OF TOOLS FINE AND MUSICAL ARTS IN THE PROCESS OF FORMING THE STUDENT’S CREATIVE PERSONALITY
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ARTS AND ENGLISH: THE MUTUAL ADVANTAGES
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MUSICAL EDUCATION IN UKRAINE: HISTORY AND PROSPECTS
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THE TRANSFORMATION OF THE ARCHETYPAL IMAGE OF HARRY POTTER IN THE MUSICAL LEITMOTIFS OF THE FILM SAGA “HARRY POTTER”
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THE PRINCIPLES OF ACTIVATION OF THE PERFORMING POTENTIAL OF A POP SINGER
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THE INFLUENCE OF MUSIC AND INFORMATION TECHNOLOGIES ON THE DEVELOPMENT OF MODERN MUSICAL ART
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INDEPENDENT WORK OF STUDENTS IN THE PIANO CLASS
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ACMEOLOGICAL APPROACH IN THE PROCESS OF VOCAL TRAINING OF STUDENTS OF EDUCATION
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WAYS OF FORMING STUDENTS’ VOCAL SKILLS IN THE PROCESS OF POP SINGING LESSONS
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MODERN HIGHER MUSICAL EDUCATION: REGARDING THE ACTIVITIES OF THE DEPARTMENT OF MUSICAL ART AND SOUND ENGINEERING OF THE INTERNATIONAL HUMANITARIAN UNIVERSITY
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TO THE PROBLEM OF DEVELOPING THE FUNCTIONAL MOBILITY OF THE PLAYING DEVICE OF THE STUDENT PIANIST
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PECULIARITIES OF VOCAL AND CHORAL TRAINING OF MASTERS OF MUSICAL ART
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MUSIC THERAPY IN THE FORMATION OF EDUCATION INNOVATIVE TECHNOLOGIES OF STUDENT YOUTH
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THE TENDENCIES OF IMPLEMENTATION INNOVATIVE TECHNOLOGIES IN THE PROCESS OF FORMING STUDENTS’ MUSICAL AND PEDAGOGICAL PROFESSIONALISM
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A STUDENT’S VIEW OF THE STUDY OF SOUND ENGINEERING AT THE INTERNATIONAL HUMANITIES UNIVERSITY
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PIANO PIECES OF IHOR SHAMO IN THE ASPECT OF PROFESSIONAL TRAINING OF A PIANIST
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FORMATION OF HUMANISTIC VALUE ORIENTATIONS OF STUDENTS-MUSICIANS IN THE PROCESS OF PROFESSIONAL TRAINING
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CHAMBER CHURCH CHOIR ENSEMBLE
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DEFINITION OF LISTENING SELF-REFLECTION: A MUSICOLOGICAL APPROACH
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BASIC PRINCIPLES OF CULTURAL CORRESPONDENCE IN THE EDUCATION OF STUDENTS OF MUSIC INSTITUTIONS
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PECULIARITIES OF VOCAL AND CHORAL TRAINING OF MASTERS OF MUSICAL ART
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PSYCHOLOGICAL AND PEDAGOGICAL CONDITIONS OF CREATIVE DEVELOPMENT OF FUTURE STUDENT MUSICIANS
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STUDIO EXPERIENCE OF A POP ARTIST-VOCALIST IN THE ASPECT OF PROFESSIONAL FORMATION
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A PERSONALLY ORIENTED APPROACH IN THE PROCESS OF FORMING THE COMMUNICATION SKILLS OF FUTURE TEACHERS OF MUSICAL ART IN ORCHESTRA CLASSES
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SOME ASPECTS OF FORMING THE INTERPRETATIVE COMPETENCE OF THE FUTURE VOCALIST
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ON THE QUESTION OF POSTMODERNISM IN THE LIGHT OF UKRAINIAN SCIENTIFIC THOUGHT
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INSTRUMENTAL ACCOMPANIMENT AS A PARITY CONSTITUENT IN BANDURISTS’ ENSEMBLE CREATIVE WORK
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MOTIVATION AS A DETERMINING COMPONENT OF THE SUCCESSFUL TRAINING OF BANDURA PLAYERS IN A MUSIC-PEDAGOGICAL INSTITUTION: A PRACTICAL ASPECT
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MULTICULTURALISM OF EDUCATION FROM POSITIONS OF SYSTEMATIC AND SYNERGETIC APPROACH
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METHODICAL FOUNDATIONS OF INSTRUMENTAL JAZZ MUSICAL AND PEDAGOGICAL PROFESSIONALISM
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SACRED MONODY IN CHORAL PERFORMANCE
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INFORMATION TECHNOLOGIES IN MUSICAL CREATIVITY: MUSICOLOGICAL ASPECT
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AESTHETIC VIEWS OF SERGE LIFAR (ON THE MATERIAL OF THE COLLECTION OF THE MUSEUM OF KYIV HISTORY)
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THE IMPORTANCE OF THE STRUCTURE AND INVERSION OF THE LEGS IN CLASSICAL DANCE
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TRYPILLIAN ОRNAMENTATION AS THE STRUCTURAL FOUNDATION OF UKRAINIAN DANCE CREATIVITY
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OUTSTANDING MASTERS OF FOLK AND STAGE CHOREOGRAPHY OF VOLYN
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THE FIRST NATIONAL BALLET “MR. KANYOVSKY” ON THE STAGE OF THE KHARKIV OPERA AND BALLET THEATER
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WALTZ: HISTORY, VARIETIES AND EVOLUTION OF THE DANCE FROM CLASSICAL TO MODERN TIMES
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VOLYN SCHOOL OF FOLK AND STAGE DANCE BASED ON THE EXAMPLE OF THE AMATEUR DANCE ENSEMBLES “VOLYNYANKA” AND “VOLYNYANOCHKA”
Published
August 7, 2023
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