MUSICAL ART: HISTORICAL AND THEORETICAL DISCOURSE

Chapters

• CHAPTER 1 THE HISTORICAL CRYSTALLIZATION OF A COMPOSER’S AND INDIVIDUAL MUSICAL AUTHORSHIP PHENOMENA IN THE EUROPEAN CULTURE OF THE RENAISSANCE
  Iryna Konovalova
  DOI: https://doi.org/10.36059/978-966-397-198-8/1-19
  Chapter 1
• CHAPTER 2 CHAMBER ENSEMBLE OF THE BAROQUE ERA: SPECIFICS AND TYPOLOGY
  Irina Polskaya
  DOI: https://doi.org/10.36059/978-966-397-198-8/20-41
  Chapter 2
• CHAPTER 3 THE WREATH OF ROMANTIC FRAGMENTS. DANTE AND LISZT
  Olena Roshchenko
  DOI: https://doi.org/10.36059/978-966-397-198-8/42-60
  Chapter 3
• CHAPTER 4 SOUND POETICS IN CLAUDE DEBUSSY’S ART OF PLAYING THE PIANO
  Natalia Riabukha
  DOI: https://doi.org/10.36059/978-966-397-198-8/61-81
  Chapter 4
• CHAPTER 5 KHARKIV MUSICIANS THE MARECHEKS: ANCESTRY – FINDINGS – NEW RIDDLES
  Vasyl Shchepakin
  DOI: https://doi.org/10.36059/978-966-397-198-8/82-103
  Chapter 5
• CHAPTER 6 GENERAL PIANO SONATA IN THE CREATIVITY OF M. CLEMENTI AND J. N. HUMMEL: FROM EARLY CLASSICISM TO ROMANTISM
  Olesia Stepanova
  DOI: https://doi.org/10.36059/978-966-397-198-8/104-121
  Chapter 6
• CHAPTER 7 HETEROPHONIC PRINCIPLE IN UKRAINIAN MUSIC
  Larisa Trubnikova
  DOI: https://doi.org/10.36059/978-966-397-198-8/122-139
  Chapter 7