MUSICOLOGICAL DISCOURSE AND PROBLEMS OF CONTEMPORARY SEMIOLOGY

Chapters

• CHAPTER 1 FORM AND ESSENCE AS COGNITIVE PRIORITIES OF MUSICOLOGICAL SCIENTIFIC DISCOURSE
  A. I. Samoilenko
  DOI: https://doi.org/10.36059/978-966-397-200-8/1-24
  Chapter 1
• CHAPTER 2 THEORETICAL ASPECTS OF STUDYING THE SYMBOLIC FOUNDATIONS OF LITURGICAL AND SINGING TRADITION
  S. V. Osadcha
  DOI: https://doi.org/10.36059/978-966-397-200-8/25-41
  Chapter 2
• CHAPTER 3 MUSICAL ARTIST'S TALENT STRUCTURE: IMMANENT MUSICAL AND PROFESSIONAL AND ORGANIZATIONAL MODUSES
  O. Ohanezova-Hryhorenko
  DOI: https://doi.org/10.36059/978-966-397-200-8/42-57
  Chapter 3
• CHAPTER 4 CHAMBERLINESS AS A SEMANTIC DOMINANT OF INSTRUMENTAL ENSEMBLE CREATIVITY
  L. I. Povzun
  DOI: https://doi.org/10.36059/978-966-397-200-8/58-71
  Chapter 4
• CHAPTER 5 SEMIOLOGICAL ASPECTS OF MUSICAL INSTRUMENTALISM
  A. D. Chernoivanenko
  DOI: https://doi.org/10.36059/978-966-397-200-8/72-88
  Chapter 5
• CHAPTER 6 ACTUAL ASPECTS OF THE PROBLEM OF INTERTEXTUALITY IN MUSIC
  J. Grybynenko
  DOI: https://doi.org/10.36059/978-966-397-200-8/89-104
  Chapter 6
• CHAPTER 7 PARATEXTUAL ASPECT OF THE SEMIOLOGICAL STUDY OF COMPOSER’S WORK
  V. B. Marik
  DOI: https://doi.org/10.36059/978-966-397-200-8/105-121
  Chapter 7
• CHAPTER 8 INTERPRETATIVE QUALITIES OF THE MODERN MUSIC COMPOSITION
  K. I. Maidenberg-Todorova
  DOI: https://doi.org/10.36059/978-966-397-200-8/122-137
  Chapter 8