MUSIC SEMIOLOGY: CATEGORIES AND METHODS
Synopsis
MUSIC SEMIOLOGY: CATEGORIES AND METHODS
Chapters
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CHAPTER 1 TIME AND MODERNITY AS CATEGORIES OF MUSICOLOGY: HISTORICAL AND SEMIOLOGICAL PARADIGM
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CHAPTER 2 SEMIOLOGICAL ASPECT OF STUDYING THE STRUCTURE AND CHRONOTOPIC FEATURES OF THE ORTHODOX LITURGICAL TEXT
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CHAPTER 3 AUTOPOIESIS AS AN IMMANENT CREATIVE PROCESS OF THE ARTIST AND MUSICIAN
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CHAPTER 4 SEMANTIC SPACES OF INSTRUMENTAL AND ENSEMBLE PERFORMANCE: INVENTION-TENDENCY AT THE PRESENT STAGE
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CHAPTER 5 HISTORICAL AND PHILOSOPHICAL DISCOURSE OF MUSIC ORATORY IN THE PROJECTION OF DOMRA PERFORMANCE
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CHAPTER 6 POLYSTYLISTICS AS A MUSICAL PHENOMENON AND ITS AUTHOR’S MODELS
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CHAPTER 7 INSTRUMENTS-IMAGES IN MUSICAL SCIENCE AND PRACTICE