CULTURE AND ARTS IN THE EDUCATIONAL PROCESS OF THE MODERNITY

Chapters

• CHAPTER 1 CREATIVE LEARNING PROCESS OF A STUDENT INSTRUMENTALIST: ASCERTAINING EXPERIMENT (based on the author’s methodology)
  A. I. Dushniy, O. K. Zavialova
  DOI: https://doi.org/10.36059/978-966-397-143-8/1-16
  Chapter 1
• CHAPTER 2 SOUND RECORDING DYNAMICS IN BANDURA ART OF UKRAINIAN DIASPORA IN THE XX – THE BEGINNING OF XXI CENTURIES
  V. H. Dutchak
  DOI: https://doi.org/10.36059/978-966-397-143-8/17-37
  Chapter 2
• CHAPTER 3 MODERN STAGE OF RESEARCHES ON THE SPIRITUAL SONG HERITAGE OF THE UKRAINIAN BAROQUE ERA
  Yu. Medvedyk
  DOI: https://doi.org/10.36059/978-966-397-143-8/38-58
  Chapter 3
• CHAPTER 4 LEADING METHODOLOGICAL APPROACHES AND METHODS OF SCIENTIFIC KNOWLEDGE IN THE SPHERE OF COMPARATIVE MUSIC PEDAGOGY
  I. O. Stashevska
  DOI: https://doi.org/10.36059/978-966-397-143-8/59-78
  Chapter 4
• CHAPTER 5 STYLE PANORAMA OF UKRAINIANBUTTON ACCORDION MUSIC OF THE END OF THE XX – THE BEGINNING OF THE XXI CENTURIES INTRODUCTION
  A. Ya. Stashevskyi
  DOI: https://doi.org/10.36059/978-966-397-143-8/79-97
  Chapter 5
• CHAPTER 6 SELECTED DIMENSIONAL ASPECTS OF PERFORMANCE MUSIC EDUCATION (IN SLOVAKIA)
  M. Strenacikova
  DOI: https://doi.org/10.36059/978-966-397-143-8/98-120
  Chapter 6
• CHAPTER 7 SPECIFIC ASPECTS OF PROFESSIONAL THINKING OF MUSICIAN-PERFORMERS
  V. M. Zaets
  DOI: https://doi.org/10.36059/978-966-397-143-8/121-142
  Chapter 7